CASE STUDY 01

BRAND SYSTEMS · PRODUCTION DESIGN

2024

Rebuilding a damaged logo

into a usable brand system.

LOGO RECONSTRUCTION & VECTOR OPTIMIZATION

A corrupted vector asset had become a production problem. I rebuilt the firm’s logo for accuracy at scale, then expanded it into a reliable family of assets for signage, print, and digital use.

ROLE

Design Lead

Inkscape, Canva

Master vector, logo variants, signage mockups

CONTEXT

Office relocation and signage requirements

DELIVERABLES
TOOLS
RECONSTRUCT

The problem appeared small
until it had to get bigger.

01

THE SITUATION

During an office relocation, the firm needed new interior and external signage. The existing logo looked acceptable at small sizes, but its warped geometry became obvious when prepared for large-format production.

Sign vendors needed a clean, scalable vector file. What technically existed as a vector was not dependable enough for professional fabrication.

This was more than a cosmetic flaw. Signage would be one of the first things clients encountered, making the damaged asset a credibility and consistency problem.

01

Visible at scale

Subtle distortions became impossible to ignore in large-format production.

02

No reliable source

There was no clean master file, technical guide, or established process to fall back on.

03

Compressed timeline

The asset had to be corrected quickly enough to keep signage production moving.

PROJECT GOALS

Not just a cleaner logo.
A dependable source of truth.

01

Reconstruct the core mark

Produce clean geometry that remained accurate from business-card size to architectural signage.

02

Build usable variations

Prepare horizontal, stacked, and icon-based versions for different layouts and production needs.

03

Support fabrication

Deliver files and mockups a sign vendor could use without additional correction or interpretation.

02

01

Test the fastest route

I first rebuilt the logo with shape-based construction in Canva. The result looked acceptable on screen, but the underlying structure remained fragmented and unsuitable for reliable vector output.

02

Repair

Preserve unstable geometry

Rebuild

Create a clean foundation

or

Choose reconstruction

Rather than continuing to correct an unreliable file, I decided to reconstruct the logo from the ground up.

03

Choose reconstruction

I learned Bézier construction, distortion correction, path cleanup, and the technical requirements of scalable production files while refining the mark.

First, I tried the familiar tool.
Then I chose the right one.

THE PROCESS

02

The goal was not to make the new vector merely resemble the original.
It had to become more accurate and more reliable than the original.

KEY DECISION